Italian version

“Wheater Me, a God as another, pictures of a speech” for voice and bass.
Theatrical performance on Stefano Mariani’s text, premiering in Pesaro, Italy, Sunday October 27, 2013.
Claudio Tombini: narrator /voice
Maurizio Rondina: stage actions / bass

See the final scene on  https://youtu.be/zK_0mV5jLTQ

Claudio Tombini	Sunday, October 27, 2013, debut of the Stefano Mariani’s theatrical text, at the Madeleine’s church in Pesaro, Italy, with flattering success of public and critics alike, and unscheduled replication request  Saturday, November 2, 2013.
Maurizio Rondina	Confirmation of the enormous expressive qualities of the actor Claudio Tombini, and Maurizio Rondina debut in the role of bass player for the theater.Excellent the Giacomo RInaldi’s staging, and the Anna Pagnini’s and Dina Pagnini’s filming and photos.Thank for the support, to Antonio Delle Rose, Alfredo Pesce, Fabio Iemmi, Marco Facondini.

STEFANO MARIANI’s PRESENTATION

Wheater Me, a God as another
pictures of a speech
for voice and bass
(or somethings like)
by stefano mariani
narrator/voice: Claudio Tombini
stage actions/bass: Maurizio Rondina

NOTE TO THE TEXT
“Wheater Me, a God as another”, is a text for the theatre, here proposed in reading for. The text is marked by a syncopated and rhythmic writing,  E’ scandito da una scrittura sincopata e ritmica, in which align and dissolve snapshots of various nature and topical: the private condition, politics, spirituality, work, art, love, misery (not just the economic and material).

The narrator interacts with a bass without the music score, as if it were his heartbeat, the metronome of the emotions expressed in different registers by a metaphysics that appeals to two dimensions equally attributable to the sky and his motions: the weather (the atmosferic weather ) and the deity (the time and space of the soul).

The narrator interacts with a bass without the music score, as if it were his heartbeat, the metronome of the emotions expressed in different registers by a metaphysics that appeals to two dimensions equally attributable to the sky and his motions: the weather (the atmosferic weather ) and the deity (the time and space of the soul).

For about 50 minutes,between irony, despair, lyricism, invective, fatalism, painting after painting, the text consists of an inner portrait done episodes of skewed reality from which emerge, stripped of every veil and hypocrisy, the loss of individual and collective of this uncertain present. (Or something like)